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New Order - Discography 1981-2015 [FLAC]

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 							New Order - Discography 1981-2015 [FLAC]
  
  
  
  
  
  Rising from the ashes of the legendary British
post-punk unit Joy Division, the enigmatic New Order triumphed over tragedy to emerge as one of the most influential and
acclaimed bands of the 1980s; embracing the electronic textures and disco rhythms of the underground club culture many
years in advance of its contemporaries, the group's pioneering fusion of new wave aesthetics and dance music
successfully bridged the gap between the two worlds, creating a distinctively thoughtful and oblique brand of synth pop
appealing equally to the mind, body, and soul. New Order's origins officially date back to mid-1976, when guitarist
Bernard Sumner (formerly Albrecht) and bassist Peter Hook -- inspired by a recent Sex Pistols performance -- announced
their intentions to form a band of their own. Recruiting singer Ian Curtis and drummer Stephen Morris, they eventually
settled on the name Joy Division, and in 1979 issued their landmark debut LP, Unknown Pleasures.
  
  After
completing sessions for Joy Division's sophomore effort, Closer, Curtis hanged himself on May 18, 1980; devastated, the
remaining trio immediately disbanded, only to re-form soon after as New Order with the addition of keyboardist Gillian
Gilbert. With Sumner assuming vocal duties, the new group debuted in March 1981 with the single "Ceremony," a darkly
melodic effort originally composed for use by Joy Division. The LP Movement followed a few months later, and when it too
mined territory similar to New Order's previous incarnation, many observers were quick to dismiss the band for reliving
former glories. However, with its next single, "Everything's Gone Green," the quartet first began adorning its sound
with synthesizers and sequencers, inspired by the music of Kraftwerk as well as the electro beats coming up from the New
York underground; 1982's "Temptation" continued the trend, and like its predecessor was a major favorite among
club-goers.
  
  After a year-long hiatus, New Order resurfaced in 1983 with their breakthrough hit "Blue
Monday"; packaged in a provocative sleeve designed to recall a computer disk, with virtually no information about the
band itself -- a hallmark of their mysterious, distant image -- it perfectly married Sumner's plaintive yet cold vocals
and abstract lyrics with cutting-edge drum-machine rhythms ideal for club consumption. "Blue Monday" went on to become
the best-selling 12" release of all time, moving over three million copies worldwide. After releasing their brilliant
1983 sophomore album, Power, Corruption and Lies, New Order teamed with the then-unknown producer Arthur Baker to record
"Confusion," another state-of-the-art dance classic, which even scraped into the American R&B charts. The group's
success soon won them a stateside contract with Quincy Jones' Qwest label; however, apart from a pair of singles,
"Thieves Like Us" and "Murder," they remained out of the spotlight throughout 1984.
  
  Heralded by the
superb single "The Perfect Kiss," New Order resurfaced in 1985 with Low-life, their most fully realized effort to date;
breaking with long-standing tradition, it actually included photos of the individual members, suggesting an increasing
proximity with their growing audience. Brotherhood followed in 1986, with the single "Bizarre Love Triangle" making
significant inroads among mainstream pop audiences. A year later the group issued Substance, a much-needed collection of
singles and remixes; it was New Order's American breakthrough, cracking the Top 40 on the strength of the newly recorded
single "True Faith," which itself reached number 32 on the U.S. pop charts. The remixed "Blue Monday 1988" followed, and
in 1989 -- inspired by the ecstasy-fueled house music that their work had clearly predated and influenced -- New Order
issued Technique; their most club-focused outing to date, it launched the hits "Fine Time" and "Round and Round."
 

  After recording the 1990 English World Cup Soccer anthem "World in Motion," New Order went on an extended hiatus
to pursue solo projects; Hook formed the band Revenge, longtime companions Morris and Gilbert recorded as the Other Two,
and, most notably, Sumner teamed with ex-Smiths guitarist Johnny Marr and Pet Shop Boys frontman Neil Tennant in
Electronic, which scored a Top 40 hit with the single "Getting Away with It." New Order reconvened in 1993 for their
biggest hit to date, Republic, which earned the band its highest charting American single ("Regret") and fell just shy
of the U.S. Top Ten, despite charges from longtime fans that the band had lost its edge. A major tour followed, although
rumors of escalating creative conflicts plagued the group; refusing to either confirm or deny word of a breakup, New
Order simply spent the mid-'90s in a state of limbo, with Sumner eventually recording a long-awaited second Electronic
LP and Hook mounting another new project, Monaco. "Brutal," the first new effort from New Order in a number of years,
was featured on the soundtrack of the 2000 film The Beach, and the full-length Get Ready followed one year later. By
this time, Gillian Gilbert had left the band to care for her and Stephen Morris' children, and Marion guitarist Phil
Cunningham had been added to bolster the lineup. Dedicated touring followed the release of Get Ready, and New Order
recorded a follow-up for release in 2005, Waiting for the Sirens' Call.
  
  In 2006, after a succession of
one-off dates, New Order decided to call it quits for a second time after bassist Hook suggested that they should quit
touring for good. With Sumner announcing that they wouldn't record as New Order anymore, he started Bad Lieutenant with
Cunningham in 2009. After a two-year break, New Order announced they would play a handful of live dates, with Gilbert
now back in the band after a ten-year time-out. Also, Peter Hook was out of the lineup for the first time since New
Order's founding, replaced by Bad Lieutenant bassist Tom Chapman. Hook stayed busy, however, recording and touring with
his band the Light and writing a book of his time in Joy Division, Unknown Pleasures: Inside Joy Division.
  

 The album Live at the London Troxy, released at the end of 2011, documented the band's successful return to the live
arena. Continuing to tour throughout 2012, the band joined Blur and the Specials at London's Hyde Park to help close the
London 2012 Summer Olympics, and at the end of the year announced the release of Lost Sirens. The album, which featured
songs that were recorded at the time of 2005's Waiting for the Sirens' Call, was released in January 2013. One year
later, the group signed with Mute Records while 2015 saw them release Music Complete on the label. Produced by the band,
along with Tom Rowlands and Stuart Price on a handful of cuts, the album featured guest appearances from Brandon
Flowers, La Roux, and Iggy Pop.
  
  
  1981 - Movement
  1982 -
1981-1982 [EP]
  1983 - Power, Corruption & Lies
  1985 - Low-Life
  1986 - Brotherhood
  1987 -
Substance
  1989 - Technique
  1993 - Republic
  1994 - (the best of) New Order
  1995 - (the rest
of) New Order [Limited Edition]
  2000 - The John Peel Sessions
  2001 - Get Ready
  2002 -
International
  2002 - Retro [4-CD Box]
  2004 - In Session
  2005 - Singles
  2005 - Waiting for
the Sirens' Call
  2008 - Movement [Collector's Edition] (2-CD)
  2008 - Power, Corruption & Lies
[Collector's Edition] (2-CD)
  2008 - Low-Life [Collector's Edition] (2-CD)
  2008 - Brotherhood [Collector's
Edition] (2-CD)
  2008 - Technique [Collector's Edition] (2-CD)
  2011 - Total: From Joy Division to New
Order
  2013 - Lost Sirens
  2015 - Music Complete
  
  
  Note: The
2008 Collector's Edition versions of the first five albums are the corrected versions that we're re-released in
2009.
  
  
  Album artwork and rip logs are also included. Enjoy!!!!!!! 						

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